One thing I am used to do, and always recommend to all, is always to get enough before the start of the concert or show. To enjoy this empty location of all the crowd, so you can compare this perception with the time when the room fills up and magically appear larger.
In the case of the auditorium I think the first impression of the room is the olfactory as all covered, from floor to ceiling walls, woods, emanating the essence that recalls the classic parquet.
So quietly observe the details of this great hall, and people who flowed slowly to fill their places.
Already the accommodation of speakers, microphones makes it clear that we can expect a good acoustics, and indeed it did.
The lights go down and enter the protagonist, Roberto Cacciapaglia, together with a Japanese cellist and manager of electronic effects. In fact, the concert organized as a presentation of the latest record by the pianist, "the fourth time," was a interweaving of the sounds of piano, cello and electronic sound effects.
An all-encompassing music: the music of the plot as a result of these various instruments in the room to wind down completely and give the audience the sensation of lift all the ground and spin them like a whirlwind all over the room, all together .... an incredible ability to excite, not a syntactically complex music, but the skill lies in creating something very expressive with simplicity, using only the notes useful, without excess ...
It 'very difficult to describe with words what we have seen that, mainly in medical and all the magic that were listening to.
Concerto almost perfect, in some places has touched the precision of a recording made in the room, but even if there were some small mistakes, small subtleties of course, but taken up as best as possible as this is the risk of direct.
A music, his, completely contained in the tonal system, very curvy, rich harmonies, well-articulated melodies, poignant notes that seemed to tear the emotions from the body, amazing melodies as a person we can find its sensitivity, highly imaginable as a music content extradiegetico in some scenes of movies, such as walking melancholy or resigned in the rain, or in solitude. Of course with this you do not want to restrict the use of this music as sad, absolutely, perhaps due to the structure of the rhythm can not be happy to talk about music, but is more comprehensive in the range of emotional, and always something very personal. him a man quite calm, not very smiley, but it was enough to put his hands on the keyboard and all those hanging notes, we have seen people completely abducted by those sweet melodies, as we said before, perhaps even sad ....
At the end of the exhibition of course the applause is not missed, and has reported twice again Cacciapaglia on stage.
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