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"I hope that I manage" at the Teatro Nuovo in Milan May 7, 2008

History obviously inspired, as the title suggests, the eponymous film ... just that the guy who once wrote "I hope that I manage" in a theme, is now starring in the theater by a brilliant Maurizio Casagrande, and became a professor who is called to go to Milan to teach to a substitution due to the death of a professor in the school of their own that small town close to Naples where he also he had studied as a child, or at least we tried.



Here we encounter between new and old consocenze and some follow in the footsteps sel his old professor will try to save the children of Corzano by a future already written in the name of the Camorra. The issue of crime is not new and in its latter periods of the Camorra mafia associations and through the media and the media we have heard (maybe more for fashion than for real-consciousness), and now I do not know whether the decision to create something this issue is a case or a sophisticated choice.



Qualitatively Casagrande does not stand out as well as any other interpretation, he has meanwhile confirmed that it deserves more time, at the same time capable of being deep and knowing how to entertain.



The women of the cast perhaps simply better at singing than acting. You can also think about the choice to include vocals, where our beloved teacher just does not stand out. The show is not a musical but there are many uncertain moments dedicated to the music and dance steps, they do not even know if a purely stylistic choice or to attract more audiences to the theater, using a different fashion shows where now where basically singing and dancing fill the halls.



But this show is a lot more, even some songs are also of great thickness as the revival of "Cu mme" sung by Gragnaniello passed by the wise and incomparable Mia Martini Roberto Murolo; other song worth mentioning the "Rumba of street urchins."



difficult decision, I think, from the authors on the use and quantity of the Neapolitan dialect, as a matter of understanding, but I quote a sentence that the same Casagrande in the guise of the protagonist in the work leaves us, "the poetry you feel with your heart. "



Dramatically not too fanciful or refined but functional, two mobile carts timidly changes have allowed some small constructions of cardboard or plasterboard.



The laughter out there, and is pleased to see Children move around on stage, and just because those who can not speak well, just for the fact of having to stay out of the house for days and trying to play every night without fail.



You can not make comparisons with the film of his relatives, but not only for the diversity of the medium, but generally speaking, and putting each of the two works in their artistic range, we can say that the film is much more successful .