a sweet gig. 
The concert was presented as "Renato said," and so it was .... an alternation between songs and words, each piece was presented by one anecdote, the story of a moment of his life, a process of contextualization which saw a night run in chronological order the life of a backbone, an essential artist, one of the best musicians of the Italian piano: Renato Sellani.
A life full of collaborations, great experience, great professionalism.
many friends in the dining room of the pianist, some of whom have had the good fortune to listen to songs dedicated to them, even at a birthday of one of them, while others have trod the stage in a jam sudden session that surprised everyone. Alternated first then a male a female voice ... during one of these performances, while the singer proposed "My Funny Valentine," the dear Renato nostor we proposed a basic incredible jazz standards that sometimes turned into a version of "Fur Elise" by Beethoven.
This is one of many examples of how this artist is capable of will remark, to delight his audience with virtuoso complex but not passing in a gentle manner all his technical ability, or something extremely complicated, however, also played out of his hands is more valuable and easy charm.
E 'was almost accommpagnato always be a bass player for another lefty, an image which itself reassume the gap between jazz and classical music for example. Among changes of rhythm, harmonic overlaps of notes, creativity, personal touch, creativity, and final details and different every time though with a recognizable style, the concert went ahead in a beautiful and pleasant, I would also very human: human like his creator, close to his audience, but in the true sense of the word, such as during a short interval in which only served to turn the tables without depriving anyone of two words.
A person of the past.
A music of the past.
Poetry.
Great class.
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