was awaited with great fervor the 'Paolo Sorrentino's latest work on the life of Andreotti as a symbol of a historical era of politics (and not only) Italian. Released in theaters May 28, 2008 and presented at Cannes where it won the Jury Prize; great achievement of Italian cinema with the Grand Jury Prize won by Gomorrah.
I think it is appropriate to begin by emphasizing some slight doubts, and then dedicate ourselves to what makes this a brilliant film.
Doubts are in the narrative fabric, historically speaking, there are situations in the film are represented facts and characterizations that are not fully evidenced by the fact, shall mention some events that we do not know if you really are occurred, however, even though throughout we have tried to maintain a stable two lines of accusation and defense, or rather conviction and acquittal, however, the weight of the sentence was perhaps predominant. .jpg)
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addition to this: a great film. Sorrentino has literally satisfied to implement all of its technical potential, with a great conscience has directed the film. His presence is felt in the scenes, and does not bother, in fact takes us on an exquisite, charming, attractive, exciting, fun (artistically) in the flow of frames. Making grotesque political history of 'Italy in particular the life of Giulio Andreotti played beautifully by Toni Servillo. Choices in the extremely precise angles, the angles in the shots, the camera movement, photography, editing: in short, in every field of film we tried to give our best and give a touch of real art is ... shown, the director, heir to the bearer of the whole history of cinema, this film has everything from the fitting of Kuleshov Russian lessons, to Hitchcock, the grotesque by Elio Petri, the cinema of Tarantino, the splendor of the golden age of Italian cinema and much more ...
Not to mention the performances of the actors: Toni Servillo 
is sublime, it is confirmed (but already knew a long time, always with Sorrentino and even before) one of the most talented actors of the Italian theater and film scene. Another note, in addition to all the cast of course, I have to, perhaps for personal affection, Charles Buccirosso: overflowing, turns his comic side and sneer at the service of Caricature, a characterization made in the art in the shoes of Cirino Pomicino, has proved much more than just a comedian, demonstrating that it can affrotare other types of roles.
is sublime, it is confirmed (but already knew a long time, always with Sorrentino and even before) one of the most talented actors of the Italian theater and film scene. Another note, in addition to all the cast of course, I have to, perhaps for personal affection, Charles Buccirosso: overflowing, turns his comic side and sneer at the service of Caricature, a characterization made in the art in the shoes of Cirino Pomicino, has proved much more than just a comedian, demonstrating that it can affrotare other types of roles. Another amazing thing was the makeup of the film: an extraordinary ability to camouflage the actors 
assomigliarre for them as possible to real people, it is the case of Buccirosso and Servillo, on the other this last showed us how has "rigged" his own personality, becoming the secret brother of Andreotti: a complete transformation, voice and diction, the port, the ritual gestures, thereby demonstrating its entire theatrical provenance very classy.
assomigliarre for them as possible to real people, it is the case of Buccirosso and Servillo, on the other this last showed us how has "rigged" his own personality, becoming the secret brother of Andreotti: a complete transformation, voice and diction, the port, the ritual gestures, thereby demonstrating its entire theatrical provenance very classy. with Gomorra Il divo are a strong sign of recovery of Italian cinema, for which all our staff are fascinated and believes strongly in a possible return to the splendor, these two films are proof!
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