© All rights reserved to us because ... well if they are really three
and each wants to be unique.
Saturday, November 22, 2008
Monday, November 17, 2008
Whats The Point Of Demi Pointe Shoes?
class - Entre les murs
The figures that are created within the classroom are many, from the bully, the newcomer, to close friends, lover of videogames ... and everything is in balance between what we see and what is not said, just because in real life not everything you know, when we get to the side of the teacher is not always able to understand what happens to those kids, maybe we should say almost as children, we are just at the middle school. Before him as to us, things, relationships evolve, change, behavior change, we will only see the result, we can only imagine what could happen and we will not know nell'emotività if ever is the truth, the room stops where does the school, physically speaking, does not exceed those walls is not by chance the title in French reads: "Entre les murs". 
The cast of the film should also include "the viewer".
films have never really, but sometimes you get caught by the look of the documentary and try to make us look more plausible things possible.
scopic gaze of the camera is a guest in most of the characters, as if there was a continuous subjective, continuous changes of perspective, sometimes you find yourself among professors, sometimes among the boys, the other half.
Absolutely away from models of teaching as a film about the "Dead Poets Society": here we have professors and other scholars who churn out quotes and culture to donate to many students in uniform, all the same and a good family (as well as with their problems that can have a boyfriend).
But a glimpse of the French school, but the most genuine, sensual, difficult, tricky: it combines economic, experienced and novice teachers, and many ETIN races, a short, multi-ethnic school, where kids are the mirror of the problems facing their families bring with them in classrooms around the weight of the various cultures to which they belong. And professors who do? One in particular is the subject of the gaze of the filmmaker Laurent Cantent, seeks to encourage children to act, to share space, emotions, culture and knowledge with each other, but the professor is a regular guy, no genius, do it with these guys , meet and see so many problems of relationship with them, greatly affects the impact is that of a car against a wall, no idyllic representation, dramatic, romantic school and attempt to educate the children. Here we talk about how things should be vermente in certain classrooms in France, and by synecdoche of all schools in the world who share certain difficulties.
The eye of the director, who then is our view, has the ability to always appear differently depending on the perspective from which it arises: sometimes we find ourselves on the side of students and all that we face and a assistant professor and a blackboard, and their fears, their fears, their background, their differences become unstable in a frame, side dancing, perpetual motion. Other times we as assistant professor, living with his attempts desperate to bring along the kids, we are slandered with him when his words are not understood, are misunderstood, but our sgurado, his, and all those who are on the other side of the small classroom, now is more stable, and there is only one boy in front of school, but an entire "class". The chamber filters in their midst, passing from a fixed position between the benches to get a face to focus on highlights and faded leaves other faces, other colors, shoulders, backs: these are the guys who are on the road every day, made flesh and spirit, inside the buildings should be of the culture, where parents send them to a better future, not send them back the land from which they emigrated.
The figures that are created within the classroom are many, from the bully, the newcomer, to close friends, lover of videogames ... and everything is in balance between what we see and what is not said, just because in real life not everything you know, when we get to the side of the teacher is not always able to understand what happens to those kids, maybe we should say almost as children, we are just at the middle school. Before him as to us, things, relationships evolve, change, behavior change, we will only see the result, we can only imagine what could happen and we will not know nell'emotività if ever is the truth, the room stops where does the school, physically speaking, does not exceed those walls is not by chance the title in French reads: "Entre les murs". 
And those walls between their vision of the filmmaker, as personified in us, it becomes even a little Vouyer, try to understand, to steal something from those guys, watching, peering into the yard to play during recess, behind the window glass, recalling the look of almost absurdly Cronemberg in "History of Violence" at the window of the house while the hero meets his destiny in your own garden.
as well as students within the walls we hear them in the balance, including a possible path that can lead to improvement, or abandoned to see them grow that 'restless guest "which is nihilism and its lately Umberto Galimberti has presented in his book talking about the youth of today!
I hope this film wakes some souls, now fossilized, to those who have power, to understand how all our future in the hands of the school, theme for another very hot here in Italy today. There are two things that can save the world: love and culture ... the school should provide the means to salvation!
Monday, November 10, 2008
Tuesday, October 7, 2008
When Do You Sign Escrow Papers
Elisa: concert show in Milan at the Datch Forum di Assago 07/10/2009
Ancora una conferma della grandezza di quest'artista. Perchè di un artista si tratta. Un gioiello della musica italiana.
fantastic time and great show of technical skill as a singer when using the same tools with the functions of a pedal for guitar, has Capion his voice several times, then sending it to delay, and creating as typically in rock and experimental electronic layering sound upon which he built an entire piece.
Ancora una conferma della grandezza di quest'artista. Perchè di un artista si tratta. Un gioiello della musica italiana. Un grandissimo concerto ricco di emozioni e musica, e per la prima volta con la presenza di un corpo di ballo, parte del quale era conposto dalla nazionale italiana di ginnastica ritmica.
Già questo particolare ci può introdurre il discorso dell'accuratezza posta nella preparazione di questo show. Prima di tutto è utile sottolineare come la stessa cantante ha presentato questo concerto: "mechanical dream". A 360° ogni particolare was treated: a collection of light, strange choreography, set design and fully complex theme cleverly created, a large wall made of led raid that took all night to present itself as the task lighting in special effects or big screen of course the extraordinary voice of a girl / woman maybe a lot more expressive and courageous in many other of her colleagues.
All his greatest hits, including covers by Mia Martini "At least you nell'univrerso" and 4 Non Blondes's "What's up." Alternating steps and well balanced with soft music to rock music in full: all Inbev as wadding in alcohol in abundant use of electronics, apart from rare moments like that of "what's up" in unplugged.
fantastic time and great show of technical skill as a singer when using the same tools with the functions of a pedal for guitar, has Capion his voice several times, then sending it to delay, and creating as typically in rock and experimental electronic layering sound upon which he built an entire piece. Obviously the greatest demonstration of technical ability we can not find multi-instrumentalist in his appearance in the steps between the guitar and piano, not as experimental and electronic entertainment, but the most important and fascinating and spectacular tool that was on stage: his amazing voice! Capable of anything: move, enhance, engage, to carry off.
reaching high peaks on the eighth, releasing all its power, but above all with maximum control.
Surely one of the best Italian artists!
Saturday, October 4, 2008
Thursday, September 25, 2008
Monica Roccaforte 2010 Pic
Mimesi
© All rights reserved
© All rights reserved When they asked me to paint the wall of a gym, I looked
an infinite work. Maybe because I was surrounded by mirrors.
I stayed there for days, alone or in watching the bodies
training.
Tuesday, September 23, 2008
Black And White Luggage Cow Print
Thinking too much, sometimes it hurts. Albums
© All rights reserved
"DO NOT power or power of sin, sin, St. Augustine.
© All rights reserved "DO NOT power or power of sin, sin, St. Augustine.
Older Women Wearing Nylon Stocking
Hunting Archery Orc
© All rights reserved
The Orc - "The Grammar of God," Stefano Benni.
© All rights reserved The Orc - "The Grammar of God," Stefano Benni.
Wednesday, September 17, 2008
Best Wwe Divas Boobies
Alex Britti to Palasharp Milan September 17, 2008
Proud.
a tangle of genres, jazz, blues, country, folk and with the multiple percussion, guitar changes for each time, depending on the situation, the best sound. A big
see and hear him play is an incredible pleasure for the eyes and the ears. His hands-fast and accurate that between a glissando and an agreement between movements to create acoustically EFFETI as the delayed sound or vibration to soil and sighs and groans, seem to control the guitar to do, without leaving any will escape without no chance of making a mistake.
Proud. Undoubtedly, in my opinion, one of the best musicians there are in circulation.
few like him playing the guitar with it her an intimate relationship, is part of his body, can not help but make it sound, plucking the strings, knocked over, as in a mystical relationship, as if his mouth, indeed it may be his best way to communicate.
few words, but lots of notes.
A technical skill, a speed, a stylistic range, from breathless, speechless.
His songs (which some consider too trivial, simplistic, child or no content of a certain caliber, but simply because these people have never gone beyond appearance) in this unplugged version back to life vigorously, those texts that simply expressing their own through the nonconformity, pacifism, the desire and joy of living, of being together, have fun, fall in love.
Arrangements fantastic, is that music that takes you slowly, and takes you away far away, beautiful person, you will be amazed by the notes, seems to see them come to life in the air, all around the stage, you see them weave and fly up to you, then you hear them grow, compete in deadly duels, and their clashes hear them in your belly, in your head, your heart. Your organs pulsate at their own pace.
a tangle of genres, jazz, blues, country, folk and with the multiple percussion, guitar changes for each time, depending on the situation, the best sound. A big
talendo able at the right time to leave the spotlight to his traveling companions, by keeping quiet for a few moments behind him and percussion at the bottom of the stage, while the percussionist in the front row who earns the admiration and Meanwhile, endless applause of the audience who is exalted and dance to the rhythm of his drum, so when you leave the scene completely for the ride of the instruments of the solos.
Surprisingly, there was also the itervento Mario Venuti, his friend with whom he has sung and rearranged his song "Lucky" as he cited the great Eduardo Bennato in 'Neverland'.
is not only a great session man ... not only has great values \u200b\u200bbehind seemingly trivial word ... he is an example of love of music, blending the music with his instrument.
see and hear him play is an incredible pleasure for the eyes and the ears. His hands-fast and accurate that between a glissando and an agreement between movements to create acoustically EFFETI as the delayed sound or vibration to soil and sighs and groans, seem to control the guitar to do, without leaving any will escape without no chance of making a mistake.
Thursday, July 3, 2008
How Effective Is Matula Tea
July 1908, 100 years ago exploded a meteorite over Tunguska
At 7:14 local TU 00:14, 30 June 1908, a catastrophic event occurred near the Tunguska River Podkamennaja, pulling down 60 million trees over 2150 km square.
The sound of the explosion was heard 1,000 miles away. A 500 km some witnesses claimed to have heard a muffled bang and seeing a cloud of smoke rising horizon. The shock wave was almost derailed several trains to 600 km of the Trans-Siberian Railway from the point of impact. It is estimated based on data collected that the power of the explosion was included between 10 and 15 megatons (40-60 petajoules).
The most reliable as Because of this phenomenon is the explosion of a stony asteroid about 30 meters in diameter moving at a speed of at least 15 kilometers per second. The explosion of the celestial body would take place at a height of 8 km. The resistance offered by the atmosphere may have shattered the asteroid whose kinetic energy is converted into heat energy. The resulting vaporization rocky object caused an immense shock wave that hit the ground.
Through a simulation, scientists at NASA and the University of Wisconsin, Christopher Chyba and Kevin Zahnle with Paul J. Thomas, exclude the possibility that the asteroid was kind of iron or carbonaceous. In the first case, the heavenly body would have reached the ground without shattering, in the second case, the explosion would take place too high in the atmosphere to devastate an area so vast taiga. For similar reasons and considerations about the density, the three scholars believe unlikely that the Tunguska event was generated by a comet.
At 7:14 local TU 00:14, 30 June 1908, a catastrophic event occurred near the Tunguska River Podkamennaja, pulling down 60 million trees over 2150 km square.
The sound of the explosion was heard 1,000 miles away. A 500 km some witnesses claimed to have heard a muffled bang and seeing a cloud of smoke rising horizon. The shock wave was almost derailed several trains to 600 km of the Trans-Siberian Railway from the point of impact. It is estimated based on data collected that the power of the explosion was included between 10 and 15 megatons (40-60 petajoules).
The most reliable as Because of this phenomenon is the explosion of a stony asteroid about 30 meters in diameter moving at a speed of at least 15 kilometers per second. The explosion of the celestial body would take place at a height of 8 km. The resistance offered by the atmosphere may have shattered the asteroid whose kinetic energy is converted into heat energy. The resulting vaporization rocky object caused an immense shock wave that hit the ground.
Through a simulation, scientists at NASA and the University of Wisconsin, Christopher Chyba and Kevin Zahnle with Paul J. Thomas, exclude the possibility that the asteroid was kind of iron or carbonaceous. In the first case, the heavenly body would have reached the ground without shattering, in the second case, the explosion would take place too high in the atmosphere to devastate an area so vast taiga. For similar reasons and considerations about the density, the three scholars believe unlikely that the Tunguska event was generated by a comet.
also visit fables-and-filastrocche.blogspot.com 
Monday, June 23, 2008
My Dog Ate An Ibuprofen
Enrico Rava and Stefano Bollanni at the Teatro San Carlo di Napoli June 23, 2008
Some say that "art" and "freedom" sometimes arise from the restriction, perhaps by the rules, guidelines, the right choice about things you need to delete and add ... maybe not this duet, the virtuoso piano and the magical Bollani Enrico Rava on trumpet, are evidence of concrete. This is evident from the wonderful balance that are able to advent, each in its place, each with its own duty to perform, each with its own musicality, with their imagination.
also show surrounded by a great sense of humor and entertainment, no lack of laughs, including a burlesque of the music and their use of spoken interludes.
perhaps a concert, at the beginning and at least for myself, not in keeping constant on that something that ties the listener-viewer to create, but after the first few minutes of knowledge and the first interaction between the public and musicians is given the way for a show that has done well to understand the technical skills and not just the two that are definitely among the most important musicians of the Italian music scene.
Enrico Rava surely in the guise of lighthearted melancholy melodies weaver, so is the his trumpet. No solos to break the lungs, but great sophistication and accuracy in timing, an excellent technique, as a perfect pitch, perfect to one thousandth of a second insertion in the avalanche of notes that sometimes protruding from the floor of his friend. Melodie first outlined (in the background while you hear a piano-controlled), then transfigured, then broken note: the sounds of brass.
The task, that of Bollani, difficult: keep at bay thousands of notes that followed each other with an intense pace. For most of the concert piano playing percussion for nearly a limited use of the damper pedal, he notes with broken sometimes by their rapid succession, not forced in large intervals but ranged over all the octaves of the piano keyboard.
A music, their overall, to be appreciated for their artistic choices for the immense color with which the two were able to paint their music, using all the heights they had available, the various possibility of timbre of the instruments, playing with the intensity of notes: this means a conscious use of artistic creativity and strong characterization.
softening slightly at the end, relieved by a touch quasi-experimental, have been recalled three times by the audience on stage, offering a couple of interesting pieces of these outputs: one who has seen as a sort of signature to istauratosi link between the public and musicians along the way, the direct participation of those present who have gone to form the third strrmento in a vibrant chorus, and the other offering a beautiful rendition of the song often used jazz standards as "Summer" by Bruno Martino.
What a fantastic couple!
technique, emotion, characterization, entertainment, research ... freedom .... art ...
Wednesday, June 18, 2008
Skinny Chips Corn Chips
Magoni Petra and Ferruccio Spinetti with their "naked music" at the San Carlo in Naples on 16/06/2008
We start from the repertoire presented: an intertwining of their songs, including previously unpublished pieces written by other artists and their beloved covers of many different authors, ranging from artists such as Lucio Battisti, Fabrizio De Andrè The Beatles, having fun with great humor with songs like Tuca Tuca of careers, I do not have the age of Gigliola Cinquetti, proposing even the final part of a madrigal by Monteverdi. All of this is the first step that helps us understand the variety of a show like that.
But one of the most interesting things is how this works out, their unmistakable style that is a mouth of the most common: it goes from jazz to opera, classical music ancient and contemporary classical music, irony and carbonation of artists like Frank Zappa or Captain outstretched to the world of pop music and music copyright, with echoes of oriental music.
The first choice is already in bold type of training, namely voice and bass, which takes a musical tradition inherited by all (As in jazz, for example) who conceives of the instrument as the bass down not only as a maker of carpet and support, but real creator of melodies and harmonies, even exalting him as a protagonist in one tool.
But we get to say it is not the only instrument on stage, just the kind of expressiveness and vocal technique of Petra Magoni: represents the full knowledge of the use of voice as a musical instrument, she is pouring in a technical ability that allows the space between the eighth with many different heights permitting us also for minor variations in tone and semitonal. Going from one style to opera music to a style jazz, and plundering the trials of contemporary music.
iflussi When we talk about contemporary classical music, they mean the dimensions of music at 360 degrees in a gig like that everything is for the creation, different elements are intertwined. There is an overlap of acoustic music and electronic music with various sound effects as well taken care of echoes, delayed or difficult the creation of a continuum effect between electronic and acoustic sounds. Ricercatoe conscious use of lights carefully positioned with the ability to direct them in the best way to create different effects as well as the projection of shadows of two artists, magnified in the background of the stage. And then of course the way it sounded and sang the traditional jazz improvisation take or already testing the customization of songs already known, as well as the use of voice as a musical instrument imitating other sounds sometimes, as in the grip of virtuosity. Another important note is the vision cageiana and contemporary music that rises to the level of various elements such as the breath of Magoni clocked well, his pace to beat his foot on stage, non-canonical and unusual usage of the musical instrument by Spinetti, playing the bass at times, almost like a guitar, sometimes like a cello, rubbing the strings, only brushing, making them even tweak its companion show, using their full extent, creating music, even playing on the instrument case, because every single part of it is composed can create sounds that make music.
Already normally live music is always something different from recorded music, I think this is the case in which the gap is even greater: what matters here is the performance art that includes the physicality of These two characters, one can say-what-wonderful to have seen Petra Magoni relamente and literally possessed by the music.
Just as there is a strong sense of irony and sympathy to this wonderful couple, who can lighten the concert giving laughter and serenity to the public.
Not to be missed. a wonderful concert. Because I think words do not come to understand what they are capable to offer here a taste of their music with the hope of provoking curiosity in order to push those who are enjoying all this god avvicinarsia this fantastic musical world.
I will survive
Bocca di rosa
creepy. 
In a context such as royal the Teatro San Carlo, perhaps with a certain friction between the type of concert that was presented and the kind of shows that are normally represented in the most prestigious theater in Naples-it went on to develop a concert that has excited the whole audience , leading to the end of the concert to ask twice for another musical performance group.
But first things first. The group that played (because they define themselves as a group) consists of a duo: Petra and Ferruccio Spinetti Magoni, her voice, his bass (musician Avion Travel). Their project: "Naked Music", carried on for some time.
What is impressive is the amount of musical culture that flows into their music.
There is a contamination, or rather a mixture (more appropriate term because as he says the pianist Stefano Bollani, Petra Magoni husband, knows so much contamination of something harmful) of genres, techniques, historical periods, artistic achievements.
In a context such as royal the Teatro San Carlo, perhaps with a certain friction between the type of concert that was presented and the kind of shows that are normally represented in the most prestigious theater in Naples-it went on to develop a concert that has excited the whole audience , leading to the end of the concert to ask twice for another musical performance group.
But first things first. The group that played (because they define themselves as a group) consists of a duo: Petra and Ferruccio Spinetti Magoni, her voice, his bass (musician Avion Travel). Their project: "Naked Music", carried on for some time.
What is impressive is the amount of musical culture that flows into their music.
There is a contamination, or rather a mixture (more appropriate term because as he says the pianist Stefano Bollani, Petra Magoni husband, knows so much contamination of something harmful) of genres, techniques, historical periods, artistic achievements.
We start from the repertoire presented: an intertwining of their songs, including previously unpublished pieces written by other artists and their beloved covers of many different authors, ranging from artists such as Lucio Battisti, Fabrizio De Andrè The Beatles, having fun with great humor with songs like Tuca Tuca of careers, I do not have the age of Gigliola Cinquetti, proposing even the final part of a madrigal by Monteverdi. All of this is the first step that helps us understand the variety of a show like that. But one of the most interesting things is how this works out, their unmistakable style that is a mouth of the most common: it goes from jazz to opera, classical music ancient and contemporary classical music, irony and carbonation of artists like Frank Zappa or Captain outstretched to the world of pop music and music copyright, with echoes of oriental music.
The first choice is already in bold type of training, namely voice and bass, which takes a musical tradition inherited by all (As in jazz, for example) who conceives of the instrument as the bass down not only as a maker of carpet and support, but real creator of melodies and harmonies, even exalting him as a protagonist in one tool.
But we get to say it is not the only instrument on stage, just the kind of expressiveness and vocal technique of Petra Magoni: represents the full knowledge of the use of voice as a musical instrument, she is pouring in a technical ability that allows the space between the eighth with many different heights permitting us also for minor variations in tone and semitonal. Going from one style to opera music to a style jazz, and plundering the trials of contemporary music.
iflussi When we talk about contemporary classical music, they mean the dimensions of music at 360 degrees in a gig like that everything is for the creation, different elements are intertwined. There is an overlap of acoustic music and electronic music with various sound effects as well taken care of echoes, delayed or difficult the creation of a continuum effect between electronic and acoustic sounds. Ricercatoe conscious use of lights carefully positioned with the ability to direct them in the best way to create different effects as well as the projection of shadows of two artists, magnified in the background of the stage. And then of course the way it sounded and sang the traditional jazz improvisation take or already testing the customization of songs already known, as well as the use of voice as a musical instrument imitating other sounds sometimes, as in the grip of virtuosity. Another important note is the vision cageiana and contemporary music that rises to the level of various elements such as the breath of Magoni clocked well, his pace to beat his foot on stage, non-canonical and unusual usage of the musical instrument by Spinetti, playing the bass at times, almost like a guitar, sometimes like a cello, rubbing the strings, only brushing, making them even tweak its companion show, using their full extent, creating music, even playing on the instrument case, because every single part of it is composed can create sounds that make music.
Already normally live music is always something different from recorded music, I think this is the case in which the gap is even greater: what matters here is the performance art that includes the physicality of These two characters, one can say-what-wonderful to have seen Petra Magoni relamente and literally possessed by the music. Just as there is a strong sense of irony and sympathy to this wonderful couple, who can lighten the concert giving laughter and serenity to the public.
Not to be missed. a wonderful concert. Because I think words do not come to understand what they are capable to offer here a taste of their music with the hope of provoking curiosity in order to push those who are enjoying all this god avvicinarsia this fantastic musical world.
The camel and dromedary
I will survive
Look at the moon
Bocca di rosa
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